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The Study On The Singing Style Of Chinese National Opera

Posted on:2021-10-07Degree:DoctorType:Dissertation
Country:ChinaCandidate:Q H YangFull Text:PDF
GTID:1485306734978999Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
By studying the Chinese national opera singing style of art,I believe,is more conducive to expand to China National Opera artistic research and creation.Development of China's national opera has a very special historical circumstances and the special nature of music,based on the actual situation of our country music,art,social and other more in-depth,detailed and more realistic research National Opera,and the opera is conducive to China National Opera the sound development of the arts.From the perspective of artistic practice for Chinese national opera singing style of study,help from a historical perspective,all-round understanding of the development of China's national opera singing.While looking to explore the historical basis of China National Opera singing style changes and development,social basis,based on style,based on aesthetic reasons from a more macro perspective to understand style change.This paper is divided into six parts,the introduction of the most important part is to give a definition of the concept of Chinese National Opera,which is carried out for the subsequent writing paper has focused on the vital role;The first chapter summarizes the development of China's national opera,prominent clarify its cultural characteristics,aesthetics and performance staging system,covering the national opera aesthetics brief history of Western drama explores the art of drawing,and Chinese opera performances of the bel canto technique of reference,etc;the second chapter discusses the aesthetic dimension to expand,mainly expounds the aesthetic connotation national opera,aesthetic value and aesthetic principles,this chapter is to explore the pure aesthetics;Chapter III is carried out ethnic studies opera singing style from the Perspective of performance theory,is the focus of this article,from more a dialectical point of view to analyze the national opera singing style,but also related to the "play-singing law","new national singing","nationality" and "times" and other issues;the fourth chapter is a case study,this paper featured "White-Haired Girl," "Honghu Red Guards","Sister Jiang","Regret for the Past","wilderness","spring wildfire fighting city" and other six classic national opera singing style expanded analysis;final chapter is from the macro mission and future perspectives review of the development of China's national opera,the long and difficult road of nationalization,but it is worth fighting for,worth paying.Therefore,this topic based on the Chinese national opera singing style diversity and the different stages of development Changes singing style,from a macro perspective,and explore the context of Chinese national opera singing art style development,summed singing style changes and the development of settling down artistic experience,and even reveal the laws of art behind these phenomena.
Keywords/Search Tags:National Opera, Sing Art, Styles, Aesthetic Dimension
PDF Full Text Request
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