Research On The Reportage Creation Of Journalists In The 1930s

The concept of "Reportage" was introduced into China from Japan in the 1930 s.It is a new literary style to meet the needs of the society and The Times.It is also a writing behavior between "news and literature" that comes into being with the development of modern newspaper industry and the progress of printing technology.In the 1930 s,Chinese professional journalists objectively reflected the historical scenes of Chinese society with real words,and hoped to explore the way out and future of Chinese society with the help of "pen pen"."Reportage" came into being under the background of this era.This paper takes the reportage created by journalists as the research object,takes the 1930 s as the historical node,takes the relationship between the construction of journalists' professional philosophy and the development of reportage as the main line,and sorts out the stylistic changes of reportage created by journalists as a group.This paper selects influential and representative famous journalists,deeply interprets their reportage works,and comprehensively investigates the professional philosophy of reportage created by journalists group,the definition of journalist's creative identity,and various factors of the formation of journalist's professional philosophy.This paper is divided into seven chapters.The first chapter combs the relationship between the evolution of journalists' professional philosophy and the rise of reportage,and demonstrates the related problems derived from it.From the second chapter to the sixth chapter,starting with the media ecology in the 1930 s,it demonstrates the construction of the relationship between journalists and reportage.Discussing the five journalists:Zou Taofen,Xia Yan,Xiao Gan,Fan Changjiang and Snow respectively.The reportage works created by the five journalists share the same national discourse space,and the professional idea of journalists drives them to engage in journalism practice,which leads to the change of stylistic consciousness,which is of reference significance to the construction of stylistic consciousness and the innovation of writing techniques in reportage.The seventh chapter mainly discusses the breakthrough and limitation of reportage creation by journalists,analyzes the practical significance of reportage creation by journalists to the development of amphibious writing style,and analyzes the limitations brought by the history and context constraints of the 1930 s.To sum up,the reportage creation of the journalist group in the 1930 s has a lot of reference for today's reportage creation.