Studu On Writing And Textual Of The Anhui University Bamboo The Book Of Songs

The continuous emergence of unearthed documents of“Poetry”provides us with more and more editions of The Book of Songs,which provides more direct and favorable evidence for sorting out the formation and spread of the text of The Book of Songs.The formation and circulating process of The Book of Songs is pretty complicated in Han dynasty,this paper bases on Anhui university bamboo slips of the warring states played The Book of Songs,tries to compare the formation-mode and characteristics of The Book of Songs in different historical periods of the longitudinal,and also compares the written mode and characteristics of the horizontal comparative study of The Book of Songs without the reference of the text type,this paper will combine the study of the formation of The Book of Songs with the“bamboo slip and the silk manuscript”edition,in this way,we can analyse some universal characteristics of the combination of The Book of Songs in a certain stage or period in the process of formation and spread,and summarize the specific practice and process features of the formation and spread of The Book of Songs in specific period.This paper concludes two parts.The first part hidden under the code of Anhui university bamboo slips of the warring states played The Book of Songs“Zhaonan”“Qin”“Hou ”“Yong”“Wei”and “poem” wind class silk excavated documents for derivatives suggested the collection certificate.The second part analyzes and combs the final edition of The Book of Songs.The first chapter is about the oral spread of the poem of music and dance and The Book of Songs.The existing engraving of the bronze ware in West Zhou dynasty shows that the generation of the “book of songs”is derived from the music cultural tradition which was passed down from the Remote Ages,the born of The Book of Songs which combines the songs,music,and dance emerged into people'shorizons as one of the procedures in different ceremonies since the beginning of Zhou dynasty.The lyrics that were used in the ceremony is the most basic way to comprehend the text of The Book of Songs,and also is the product of rites and music system whose foundation is pure oral.Under the background of the rites and music system in the Zhou Dynasty,the music education and the poetry education were both spread by word of mouth.Chapter two:The establishment of the written edition of The Book of Songs.Zhou Kangwang decalared,“Three Years,set the music and songs”.This is the first time to organize the text of The Book of Songs in the West Zhou Dynasty.Zhou Zhao Wang and Mu Wang “set the image as the people's history,the style of beauty to correspond,use the comparison and decoration to compose the book”,which was the first large-scale gathering of the text of “poems”,and formally established the contextualized edition of The Book of Songs.In the reign of Xuan Wang,the organization of the text of The Book of Songs combined the history with the ritual music and songs of the time,and included the ironic poems of “bianfeng”and“bianya”,which formed the basic type of the text of The Book of Songs with“Feng”“Ya”and“Song”in its complete form.Due to the addition of a large number of satirical poems and the vassal “Feng”oems in the reign of Pingwang,the nature and structure of the poems and essays changed completely,the editing principle of ritual music was replaced by the concept of beauty and irony,and then the poems and essays compiled by the combination of “Feng” and “Ya”,which were clearly called The Book of Songs,were formally produced in historical books.In his time,Duke Huan of Qi collected and compiled most of the poems of the “Feng” of various states,and included the“Song”to it.The text collections of the“Feng”“Ya”and“Song”under the name of the poem were formally produced.In the end,Confucius compiled and arranged the text of the poem for the last time by “removing the importance”and “taking the propriety”from the more than three thousand pieces of music poems he had collected during his travels around the world.Chapter Three:The Form and Structure of Bamboo slip of The Book of Songs.This paper analyzes the generality and characteristics of various bamboo slip in the form and structure by comparing the short length and the characters,the opening and the arrangement,the inscription and the writing of various bamboo slips in the Warring States Period.Chapter Four:Regional Differences Between Text Differences of the Four Poems And Anhui University bamboo slik The Book of Songs.By comparing the similarities and differences of different characters,phonology and differences in the four poems of Qi,Lu,Han and Mao,this paper analyzes the origin and evolution of these four poems.