The Charm Of Black And White

"Yipin" is a title of ancient Chinese painting and calligraphy style,which can also be said to be the aesthetic ideal of ancient painting.。The term "Yipin" appeared when commenting on chess skills in the Liang Dynasty of the Southern Dynasty,and in the Tang Dynasty,it was used to comment on calligraphy and painting.Zhu Jingxuan of the Tang Dynasty,in the Tang Dynasty Famous Paintings List,based his paintings of Wang Mo,Li Lingsheng and Zhang Zhihe on informal methods,and added another quality to the paintings of God,Wonder and Energy: Yipin.The "Yipin theory" of the Tang Dynasty is just a phenomenon of detached painting,and Yipin has no status.Zhang Yanyuan of the Tang Dynasty also gave a brief account of the Yipin at the end of the article in "Records of the Famous Paintings of the Past Dynasties",and did not say what kind of painting position Yipin was in.Zhang Yanyuan talked about the word "nature" in addition to the third grade of Shenmianeng,and believed that God comes after nature.At the same time,it also needs to be noted that the three qualities of painting in the Tang Dynasty are divinity,subtlety and energy,and the main theme is figure painting.The landscape painting has not become the mainstream in the Tang Dynasty,so the landscape painting of Yipin can only be the evaluation and classification of non painting based methods.Huang Xiufu of the Song Dynasty listed "Yige" as the highest level of painting in the "List of Famous Paintings in Yizhou",that is,"Yi","Shen","Miao" and "Neng",which is also a summary of the aesthetic characteristics of the four levels of painting in ancient China.Yipin in landscape painting is the highest aesthetic quality of ancient freehand brushwork,and also has a certain relationship with Su Shi in Song Dynasty since he advocated Shifu painting.In the Song Dynasty,in addition to Huang Xiufu’s opinion that Sun Wei was a "Yi Ge",later generations also added Zhao Danian and Mi Fu’s father and son.In addition,Zhang Xuan and Wei Yan of the Tang Dynasty,and even Wu Daozi’s sparse style of painting also became the category of the casual style of landscape painting.As a result,the change in the status of "Yipin" between the Tang Dynasty and the Song Dynasty,as well as the evolution of theme painting style,requires combing the development context of landscape painting history,and using art philosophy to research and explain.Huang Xiufu of the Song Dynasty put forward the concept of "Yige" and took "getting natural" as the artistic feature of his painting style.The "nature" here can be understood as the aesthetic ideal of the Song Dynasty landscape painting,and can also be summarized as the elegant and elegant style of its painting style.Through the research and investigation of the theory of Yipin painting and related works in previous dynasties,it can be concluded that the Yipin of landscape painting belongs to the category of Chinese freehand brushwork aesthetics.Freehand brushwork is not only the category of techniques,but also the spirit of art.From the aspect of technique expression,there are two types: sparse and dense.However,it is obvious that the landscape paintings since the Tang,Song and Yuan dynasties belong to the aesthetic category of sparse painting style.In addition,according to the context of Chinese and Western painting history and aesthetic style,the landscape paintings of Tang,Song and Yuan can be divided into three aesthetic orientations: naturalism,romanticism and expressionism.The aesthetic characteristics of ancient Chinese landscape painting can be divided into two aesthetic categories: sublime and beautiful.Landscape painting also presents these two aesthetic characteristics,and its specific aesthetic characteristics can be summarized as follows: truth,view,simplicity and understanding.Although landscape painting is a work of genius,it can also summarize the principles of creation and even reveal its cultural significance.The creation principle can be summarized as:the method of nourishing qi and the method of relieving clothing,which are the true psychological state of Yipin creation,and also the realm of spiritual freedom in artistic creation.Learning from nature not only reveals the origin of the creation of landscape painting Yipin,but also explains the mysterious side of Yipin.Finally,further analysis and investigation will be made from the specific artistic language,brush,ink and color of Yipin creation.Through a comprehensive and three-dimensional study and interpretation of the concept,category and production of works of landscape painting,the artistic characteristics and specific performance of landscape painting Yipin can be summarized.In the Tang Dynasty,ink splashing was the main method,focusing on performance;In the Song Dynasty,it was mainly embodied in the realm of fine brushwork and fine ink while painting a natural way;The Yuan Dynasty also highlighted the ideal state of writing the leisure spirit in the chest.The composition of landscape paintings is mainly simple,focusing on expressing the spirit of the artist.At the same time,the Zen paintings in the history of painting are discussed in more detail from the aesthetic perspective of landscape paintings.Ancient Chinese painting has a special cultural vein,and the evaluation of painting is also a reflection of the ancient characters who tasted algae.From character to painting is not only a standard of ancient painting itself,but also an unshakable philosophy.According to the law of the development of painting history,Yipin painting style is characterized by the painter’s freedom and the idea of taking nature as a teacher.It has a special way of creating the formal language of pen,ink and color.The study of Yipin’s painting style is not only at home,but also abroad,such as Japan,as far as Europe and America.The common interpretation and research of "Yipin" from the perspective of Chinese and Western cultures bring new ideas and methods for the development and deepening of the subject.In the ancient ecological development of art,the aesthetic characteristics and artistic laws of the Yipin painting style in the theme of ancient landscape painting have become the focus of research.Finally,through the research and analysis on the painting style of Yipin by scholars at all times and in all over the world,as well as the relatively comprehensive and in-depth aesthetic interpretation and inspection of the legendary Yipin,it is concluded that the aesthetic ideal of the landscape painting Yipin is closely related to the artist’s great and mysterious personality.In short,first-class works of art must have a distinctive feature that transcends the times,and its fundamental feature is the creative aesthetic characteristics based on the singular style.