| This paper delves into the concept of structural force in electronic music composition and its mechanism for forming a complete,independent,and organic structure.Utilizing a combination of literature review,theoretical analysis,and case study of works,this study refines and deepens the understanding of the concept of structural force in electronic music,its manifestations,and the mechanism of auditory structural cognition.The article thoroughly investigates the sound and technical composition of electronic music,the core of electronic music language,and the diversity in methods and organizational logic of structural construction in electronic music,supported by analysis and demonstration through relevant works.Specifically,through the analysis of electronic music works by composers from different periods and styles,such as Litgeti,Pierre Jodlowski,and Alexander Schubert,the multidimensional manifestation of structural force in electronic music is showcased.The research reveals that the structural force in electronic music primarily consists of non-musical sounds or organized core sound events,whose logical development relies on electronic music technology processing.This includes techniques such as sound variation,spatial processing,and sound gradation,which collectively endow electronic music with a unique structural form and cohesion.Electronic music establishes unity,logic,and contrast within the works through methods like thematic variation,continuity of core sounds,and "montage" of sounds,achieving a balance between cohesion and tension.In summary,this thesis systematically analyzes the structural force in electronic music,from theoretical concepts to practical applications,from technical details to audience perception,providing a new perspective for a deep understanding of the structural characteristics of electronic music and its impact on audience perception.This study not only deepens the understanding of the concept of structural force in electronic music but also provides theoretical guidance and innovative paths for electronic music composition practice. |