Concerning The "Qing Carve" Iiterature And Art Opinion Of Wu Dexuan

Words carved are common, but it will get new meaning if we add the"Qing"."Qing diaozhuo"was first proposed by Wu Dexuan when he taught prose grammer to his student Lv huang. Wu Dexuan in his work of Chuyuelou Classical Chinese literature Introduction, has revealed the"Qing"and"Diaozhuo"as the opposite , can pay-outs coexist in the"Qing diaozhuo"this rich in ancient Chinese holding in the dual purpose of the carrier of dialectical thinking."Qing diaozhuo"through the adept utilization of its moderate principle in carving to be inferior to Qing, directs as contradictions of both sides to achieve one harmonious state. The title is named by Wu Dexuan and is used to guide the classical Chinese literature writing method,but it loads nationalities unique psychological quality and the emotional experience. Although discussed in simple words, actually it contained the essence of traditional culture."Qing diaozhuo"inherited the Chinese ancient literary tradition, and summarized the refinement, might say that the typical embody had reflected the long history of China nationality and the aesthetic ideal of beauty aiding to harmony. From existing material, at present in the academic circles have no study of academic writings on Wu Dexuan"Qing diaozhuo".This paper attempts to interpret scientifically Wu Dexuan"Qing diaozhuo"literary and artistic standpoint, and deeply explore its unique theoretical connotation.This thesis is divided into four parts:Introduction part cares about grooming the recent research of Wu Dexuan literature and art's thought, and instructs briefly his lifetime and achievements.The first part inquires into the concept of the"Qing diaozhuo"and summarizes its main contents. Wu Dexuan is the first man for"Qing diaozhuo"name. He advocated"Qing diaozhuo"writing methods. Combined with his concrete works, "Qing diaozhuo"can be put into three parts: firstly clearly cut and polish; secondly clean and elegance; thirdly"ancient awkward".The second part focuses on the relationship between"Qing diaozhuo"and Confucian school. Confucian school giving a kind of principle for the ancient literature and art criticism is the"Gentlemen ship"aiming to"the beauty of harmony"."Qing diaozhuo"is a reflection of"Gentlemen ship". Specifically embodied in two aspects: firstly"Qing diaozhuo"indicates exactly is the relationship between contents and forms; secondly"Qing diaozhuo"reflects the supreme state of"the beauty of harmony".The third part deals with the relationship between"Qing diaozhuo"and Taoist school. Firstly, Taoist approved the view of carving attributed to nature. Nature needs"Diaozhuo"."Diaozhuo"is a necessary process returning to nature. Secondly,"Qing beauty"ideal urges qing and carve to become a continuum, and gradually bred into"Qing diaozhuo"view.The fourth part mainly discusses the relationship between the"Qing diaozhuo"and the creation of Modern Literature and Art. Firstly, quality needs to"Diaozhuo"; secondly, according to the subject misuse wrongly, we propose thick makeup wiped total affordable; finally, in case of new poetry development present situation, proposes the"Qing diaozhuo"is a kind of easing the current tendency of new poetry creation deterioration of solutions.Conclusion: This thesis through the massive adduction ancient book, proposes that"Qing diaozhuo"is the reflection of Chinese Aesthetic ideal. Well-established traditional culture gives"Qing diaozhuo"to the vitality of adornment, and makes it always imply the Chinese ancient literary and artistic creation aesthetic pursuit. Moreover, in the modern Chinese creation of contemporary,"Qing diaozhuo"also has its unique theoretical value.