Tibetan Literature And Linguistics And Art History

Linguistics Literature Literature and Linguistics at the intersection of the field developed a new discipline. Language of art history is the history of literature and language at the intersection of history produced a new study. Study of this paper is more complex of two new disciplines, "Tibetan Literature and Linguistics and Art History." This is a difficult task with the large, because of Tibetan literature and art history, linguistics research results is almost not present. However, the academic literature at home and abroad as far as we can not give up the maiden issue. Therefore, the author of Tibetan literature has always attached importance to Tibetan Literature and Linguistics and the development of art history, characteristics, properties. This combined with a long history of Tibetan linguistic concepts and new developments in contemporary social linguistic point of view, the maintenance of domestic and international recognized literary theory as a guide, more in-depth, complete study of Tibetan Literature and Linguistics and Art History.In this article, the conclusion and the epilogue, the total of seven chapters.The first chapter is an introduction to introduce the research situation and research objectives, while the emergence of language and Tibetan literature with the original written records of the case, literary linguistics concepts.The second chapter, the first king from the Tibetan Red Line between Songtsan Tsenpo to literature for the former stage, the Tibetan language commonly produced to the Tubo Dynasty, after the disintegration of the literature between the later stages to form the Tibetan literary language and characteristics of nature as the basis to identify the Tibetan literary and non-literary distinction, and the prevailing literature in the distinction of the unique features of literary language.The third chapter is to study the language arts portion of Gesar. From the perspective of rhetoric in which to study the source of King Gesar, the Tibetan history as Zhong, Di, benzene. This is a relatively new ideas in this chapter. As the national native word, meaning, as such constitutes the entire epic, based on historical events, combined with linguistic and literary language of the Tibetan Gesar Epic History of the Language Arts. In this "Huo Ling war" rhetoric as the center, has launched the overall features of language arts epic.Chapter IV Road, more in-depth analysis of Milarepa Songs language deep structure and surface characteristics of the structure; from simple folk language proficiency and sophisticated rhetorical devices, rich sweet real meaning of the sentence, a symbol of sharpness sensitive techniques, natural factual phonological modification, the structural characteristics of the logical language of six aspects of Road Songs language. And look for folk poetry and other Road similarities and differences between songs.Chapter V of "Poetic Mirror," translation of literary language after the changing process of art and its parts. As the poem mirror translation of Tibetan literature has been on the theoretical guidance, it generally leads to the creation of common literary techniques and styles together. However, development and change with the times and Tibetan Literature and rhetoric have also been changes, and to the development of Tibetan literary language can be divided into the transition phase and peak phase, two groups of stages. Therefore, the times, the authors do not work but took the language of their own unique characteristics and unique style of speech, but also when the language of the common features.Chapter VI is the Tibetan language study part of the new novel. Tibetan new novel experience shorter, no mature Novel organization system. I put in this new novel is divided into two stages of the Tibetan perspective; 20th century, between 80 to 21 century novel as the first stage of the 21st century for the second phase of the novel; this chapter is the first phase of the novel language of the text On the. The main argument for the narrative description of literary language features and language skills.Chapter VII is an important term on the literary linguistics research. In which rhetoric and imagery, rhetoric, set volume, etc. A Comparative Study of Language and Literature is the most prominent part. The establishment of the Tibetan literary linguistics has a positive effect.Through the topics of research, I think:the era of Tibetan Literature and Linguistics in the flow of simultaneous culture of many changes, both diachronic changes in the characteristics, there were similarities between the time of composition. A long history of Tibetan literary language has not divorced from the constraints of social linguistics, but also not far from the purpose of literary theory. Then Tibetan Literature and Art History linguistics can not be the language history and literary history and phase separation steps. They never cut off exists between precision contact.Tibetan Literature and Linguistics and Art History, is a novel research topic is a difficult academic exploration. The research topics related to literature, linguistics, art, history, and many other disciplines, the author's vision of culture, comparative method, carried out a multi-disciplinary research and exploration. Dialectical Materialism and always carry out a realistic attitude toward research and scholarly research, self-confidence which concluded that the objective and fair.