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On The Tao Of Sculpture And Aesthetic Characterization

Posted on:2011-01-14Degree:MasterType:Thesis
Country:ChinaCandidate:X H LuoFull Text:PDF
GTID:2155330332972636Subject:Art of Design
Abstract/Summary:PDF Full Text Request
It is a thing worth doing to Study the great achievements of human sculptures in Chinese traditional aesthetics and try to get different enlighten in the consolidated view. Research shows that success in certain areas of Chinese aesthetics is the leading thought in Western art. I believe that it is helpful to build the the value of a constant and to open up a broader way of thinking if we re-examine the sculpture in the combination of Eastern and Western theories of thinking.The visualize of Tao in Sculpture is general philosophy of language about the fact that a great sculpture works have the mysteries and is the idea which is to try to give some further understanding and summary to the fact that there are the existence of the unknown force in artistic creation.The exist of Tao in Sculpture is the source of great charm and value, however, it is mysterious, inner, invisible; its external representation is the the basic aesthetic characteristics of the sculpture which are sumed up God, Power, Emotion, Thinking .They are both outside character of Tao in Sculpture, but also is proof of Tao of sculpture. The research indicate, God, Power, Emotion, Thinking, the horizontal structure in aesthetic characteristics of sculpture art and vertical development in the history of the era presented on a very consistent temperament, which is wonderful. Tao once again proved its power and existance, and all stages of the glorious history and Confusion are nothing but the evolution of life histories of Tao itself.
Keywords/Search Tags:Sculpture, Mystery, Tao, God, Power, Emotion, Thinking, aesthetic characteristics
PDF Full Text Request
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