The Wonderful Development Of The "Living" Of Modern Chinese Poetry

The creation of poetry by Rong Rong began in the 1980s when she was in the university, and matured in the 1990s. The atmosphere of 1990s was shifting from "noble" to "ordinary",which Rong Rong choosed to take "living" as a poetic stand and made it a wonderful work. The thesis is presented in the following four aspects:Part one focuses on the research situation and the shortages of poetry study, and clearifys the line of rhelogical phenomena from the late 1970s to the early 21st century in order to exploring the effect on Rong Rong's poetic writting. Part two focuses on the theme of poetry, and it unfolds in three respects:the daily life, the men and women, the soul talk. From this part, Rong Rong reveals that the essence of daily life is conventional and the living condition is tragic. But she is warm and poetic. Her poetry regards that we should revolt against the nothingness and degradation for life, and resist the tragedy for living situation, as well as, persue love and dream for the value of People. Part three focuses on the art form of poetry. It regards that Rong Rong's artistic techniques transfer from "Lyrical" to "narrative". The latter could be summarized as "descriptive", "picturesque", and "dramatic". It is "poetic narration" in details that makes her poetry so different from "novel narration",which is not the poetry's superiority. Her chasing of picturesque, froming the poetic aesthetics from western modern painting rather than from Chinese classical landscape painting. Using dramatic soliloquys and dialogues in the poetry, Rong Rong not only shows the character's inner world successfully, but also keeps the poetry's implication. All of these are invaluable art practice. Part four is an epilogue, presenting a summary about the advantages and the shortages of the poetry.