Art Lies In Inuovation-Ceramic Paintings Should Follow Era

China is a country with a long history and art traditional countries, and Chinese paintings and ceramic is most can represent China history and culture of the two kinds of special performance forms. Chinese paintings which from birth to development and improve experienced more than a thousand years , in this time of over 1000 years, chinese paintings experienced many school painting experience rising and development, genres changes, what is worth mentioning is those unwilling, personality and secular, creative innovation pie painter and school, this is an inevitable trend in the development of an era. They impact the creative spirit of feudal stiff culture at that time, this spirit is also deeply affected the development of ceramic painting.This thesis is to "innovation" as the main line, this paper explored the Chinese painting history has innovation spirit painter and genres effect on the development of ceramic painting, expounds the innovation consciousness in Chinese painting and drawing on the importance of porcelain, and draw the conclusion - ceramic painting when with age. Firstly, with traditional Chinese painting from the relationship of ceramic painting with Chinese traditional painting, with blue and white porcelain, for example, the focus on Chinese paintings with ceramic painting the important position in the Chinese culture, it is concluded that they are mutual influence, and mutual application the conclusion. Then, from the original painting famous rich theory and style perspectives on the influence of the ceramic painting; Moreover in Ming and qing dynasty extremely creative artist xu wei,zhu da and "yangzhou eight weird" as an example, and strive to express to Ming and qing ceramic painting painting of the influence of people kiln. Subsequently, combined with orthodox and innovation two thinking form, analysis the collision between the contemporary ceramic painting spirit of innovation. Finally, starting from the innovation consciousness of jingdezhen ceramics, it shows the implications for the development of the painting.