The Research On Entity Aesthetic Feature And Its Forming Causes Of The Art Image In New Era

The title of the present study is "The Research on Entity Aesthetic Feature and Its Forming Causes of The Art Image in New Era". As the title suggests, the research has been done from two aspects:one is the entity aesthetic feature of the art image in new era, while the other one is the behind cause.As for the first aspect, the author is to study the art image in new era in terms of the image's theme, composition, expression approach and symbol. Based on the analysis model of iconology, the art image can be classified into three specific patterns: 1) the "ode" pattern; 2) the "self-reflection" patten; 3) the "human conscious" pattern. The model used in the present study is mainly developed from Erwin Panofsky's theories about iconology. The theory itself is systematic and logic, which provides the feasibility of using it to interpret and analyze the art image in new era. By careful analysis and classification of the art images according to the three different patterns, the author reaches an conclusion that the aesthetic feature of the arts in new era is reflective. The reflective aesthetic feature is embedded in all the art works of new era, and can be regarded as the most refined summary in terms of art content, form, aesthetics and so on.The second part of the study is to seek for causes of reflective aesthetic feature. The author believes it should be investigated from two perspectives. The first one is to discover the historical and social reasons of forming such feature from the perspective of social ideology. In another word, it is about the objective reason. The second one is from the perspective of the artist himself to inquire the subjective motivation. On the basis of the above approach, the following four conclusions are drawn naturally.1) The logic development of history creates the inevitability of the reflective aesthetic feature; 2) the social reform context provides new development in the field of arts and culture, and social ideology. The general sense of crisis and the awakening pan-humanitarian further push its growth; 3) the key factors determining the reflective aesthetic feature are the artists' self-wake and their automatic construction; 4) the study hopes to shed lights on the future research and provide some valuable insights.