Research On Jiang Wen's Personal History Of Film Narrative Reconstruction

So far, a total of as a director Jiang Wen directed four films, namely: "In the Heat of the Sun", "Devils on the Doorstep", "The Sun Also Rises", "Let the Bullets Fly". Each of his films have a very distinct historical background, from the cultural revolution, the sino-japanese war time, then to Beiyang period, all Chinese modern and contemporary history is the most complicated chaos historical stage. The history of these complex and confusing piece of history back in the other subjects related to film or literary works have had a collective narrative, has formed a total of all Chinese historical memory. And in Jiang Wen movies, but we saw another face of history. In this context, the paper from the perspective of historical narrative has a strong history of Jiang Wen is how to deconstruct complex collective historical memory and thus how to construct a narrative from the personal history.The thesis is divided into six parts. The first part is an introduction, background of the analysis from the study to study Jiang films as the necessity and importance of Research Jiang Wen film combing the existing comments and research, research review is to be discussed in this paper illustrates The main problem; narrative of being guided by the first chapter, illustrates the history of Jiang's own vehement feel ing;In the second chapter, Jiang Wen four film works were described in section revealing the unique history of their works to break the long-standing literary and film discourse to construct the collective history, presents a paradox in the history of a normal personal situation, deconstruction of the myth of history. The third chapter as a whole,the four films, start ing from the text to find out the personal history of the common construction practices, so as to construct Jiang Wen film describing the system of personal history. Fourth chapter is hidden in this discussion under the historical narrative expression of personal aesthetics and aesthetic pursuit of performance, clearly states that "art as the soul of Humanity" is a personal narrative aesthetics Jiang Wen film core, and further analysis of the resulting characteristics of the most Jiang Wen Film language used. The last part is the conclusion, points out that Jiang Wen film narrative achievement of their personal aesthetics is the most essential cause of historical reconstruction.