The Application Of Plane Composition To Contemporary Print-Making

With the opening and reform the increasingly deep communication between Chinese and western culture, frequent and the social and political environment loose, etc, all sorts of factors contributed to contemporary Chinese engraving art of booming development, contemporary prints whether on quality in amount or all revealed a comparable with international printmaking artistic.When we analysis and research on contemporary prints the visual features, will find that contemporary prints whether in visual language or are showing in performance forms with graphic design is surprisingly similar. Although prints and graphic design are two different art categories, there exist differences, but on the function of both belong to in 2d space of emotion in visual arts, have similar visual configuration element and forms, between these present one kind of external "isomorphism" phenomenons. The essential reason exists between both an inner link, modem art design itself is rooted in modem art from modem art, an isolated and visual arts, its development process occurs within the mutual fusion between with the mutual profits and.This paper is trying to planar and contemporary prints from the show similar or identical representation, analysis of the characteristics of the internal connection between, find out for enriching planar formation of engraving pattern, the development of contemporary engraving art the roles and significance. The author was the choice of modem art design of as research objects of planar, its main reason is that plane composition is the basis of modem art design, it is like the engravings sketch is based as, from the most basic of artists more help better grasp their essential rule. Moreover plane constitution with abstract the complications graphics as form of elements, highly generality, intuitive and the form of sexual, help artists get rid of simple natural object surface complicated characteristics of interference, and go directly to the essence of art.Full text according to logical relationship is divided into the following four parts:The first chapter focuses on the modem Chinese engraving, such as the diversification of vocabulary, present the contemporary printmaking form language style and contemporary printmaking diversification works constitute factors infiltrating external performance etc.The second chapter focuses on the analysis between planar and contemporary prints the correspondences of, such as visual shape elements similar and forms of the common law, mode of thinking of similar and composition and structure the inner relation between etc.The third chapter focuses on the analysis of planar formation form factor and form the basis of the application in contemporary engraving, including the basic modeling elements--dot, line, face in the application and engraving in planar form more characteristics such as repetition, ramp, launch, approximate, dense, division, space, texture, scattered in the form such as the application of engraving.The fourth chapter planar emphatically summarized analysis for enriching the engraving of contemporary style and future development of engraving art the roles and meaning, in order to help etchers can better understand and grasp the contemporary engraving by law in the planar formation.