The Survival Significance Research About Dunhuang Buddhist Art

Buddhist art in Dunhuang is the treasure of Chinese traditional art, under the multicultural influence of art model. The Dunhuang art research experience objective research on stage. Subject-object dichotomy of thinking more and more have been questioned. In recent years, many scholars in art philosophy, aesthetics, semiotics, psychology to study of dunhuang art. Make us increasingly read the buddhist art of "human".This paper includes five chapters. The introduction to reviewed the history of dunhuang buddhist art research, current situation, and the feasibility of subsistence study. Chapter 1, survival dimensions of religious art, pointing out that both the primitive period and now, survival dimensions of religious art are obvious. That it was born from the human desire for survival, it content is always accompanied by the contradiction between the sacred and secular.The chapter 2 is about the aesthetic demands of survival. First defines the meaning of survival, followed by review of the survival of the twentieth century aesthetic shift, the last to survive based on the theory of aesthetic beauty reveals the meaning of survival. This understanding of beauty in the Dunhuang buddhist art has a good performance. The chapter 3 is about the change from the story painting to the sutra painting, reflects the emotional life of human affirmation, that is, the priority of human existence affirmation. The chapter 4 discusses the (guanyin) bodhisattva religious mission of this image, the image of the evolution, aesthetic qualities and aesthetic implications. This paper argues that she embodies the Chinese wisdom and passion for the nature of the recognition and implementation in aesthetic. She embodies the Chinese understanding of love and beauty, love and kind, of the search for the protection of god. The chapter 5 is the implication on the survival of flying. This section examines the process of flying in china, uninhibited beauty, in the process of flying in china embodies the Chinese for life beyond, beyond the spirit of the dream, focusing shows the life of the spirit of the Chinese art. Finally, gives a brief analysis of the religious art of the survival of the meaning and value.