Modern Japanese Graphic Design In The Aesthetic Characteristics Of The Nationality

The history of modern design in Japan can be said that a legendary history, which from the beginning of World War II to develop their own modern design, just a few years to paid heed to the ruins of post-war design became the world power, this legendary leaps and bounds of the design world has been hot, especially the works of Japanese modern graphic design the perfect fusion of traditional and modern is highly regarded as the world's most modern design trend of charm and vitality of a force.Japan's modern design graphic design can be described as unique in the world, his works contained in the rich oriental style and aesthetic characteristics of the national traditions, modern design is sweeping the West under the today, seems full of vigor and vitality. Japanese graphic design aesthetic as the center of the nation, with culture as content, not only embodies the spirit of this nation's traditional culture, which formed the national characteristic of the modern design concept, praised by the international design community. In this paper, multi-level, multi-angle comparison study and the traditional graphics applications, modern design practices as an example to show proof. Paper is divided into five parts: the first major exploration of traditional Japanese culture, the impact of graphic design elements. From these two aspects of religious painting and graphic design in Japan followed the analysis of traditional culture. The second part of the successful elements of traditional Japanese culture into the modern graphic design. Japan adopted the western way of learning modern design, will form the doctrine and new technological means and the successful combination of traditional culture, both forms fully meet international market demand, but also has the typical characteristics of Japanese traditional culture style. The third part focuses on the aesthetic characteristics of the Japanese nation to be displayed in graphic design. Graphic design works by induction, with the specific character of the works demonstrate the Japanese nation, and traditional graphic design in the modern meaning of the expression. Japan's ethnic character is character by the formation of tradition and modern Japanese design basis for two-track parallel mechanism. At the same time, this contradiction also affects the aesthetic sense of Japan, and art. The performance of the traditional meaning of religion is, and Japan have close relations, especially the impact of Zen Buddhism more deeply, and an overview of the Japanese nation through the example of the aesthetic characteristics of two major manifestations. The fourth part is to explore the success of Japanese graphic design reflects the aesthetic characteristics of nationalism and the reasons for the successful formation of style, simple and summarized its historical background, special protection of national character as well as government policies. The fifth part is mainly from Japan to explore the design of successful experiences in reference to China and put forward some suggestions. The first three parts of which are the focus of this article.