The Multi-dimensional Perspective Of Lisao

Lisao is the most essential part of the study of The Odes of Chu,for various studies on it have been made from the ancient times up till now,the reasons for which are its unique connotation,the constant representations and expansions made by scholars during their studies,and the ceaseless vitality in the studies associated with trains of thoughts with the development of times.By 1900s,culture exchanges and blending in the world have been unprecedented achieved,and the study of Lisao has been developing in pluralism with the floods of the new ways and thoughts of studying.In recent years, the study of Lisao has entered the prosperous phase because Sinology has been gradually valued. Every year,masses of papers and works are published,and researchers devoting to the study of The Odes Of Chu have been coming forth in large numbers and have gaining many results. This paper will study from the different ways of studying to analyze Lisao with multi-angles,making further quest on the study of the rules,the culture background as well as the fork customs,which will be based on the results of the study ever achieved..The paper is divided into five parts. The first part is the Introduction,talking about the basis of the selected topic and the researching ways. The second part unscrambles Lisao from the angle of literature and art,and based on the general study of Lisao,this part talks about the relationship among the texts, the writers,the researchers and the times,and sorts out the points of studying in past dynasties and put forward my personal point of view. Besides,applying to the theory of literature and art, the second part talks about that the study of LIsao changes with times,which reflects that the study is made in creasing depth. The third part unscrambles Lisao from the angle of culture,from which to talk about the culture background and the historical origin of Lisao. Lisao is the work written by Quyuan,in which the culture of the central plains of China and that of Chu were mingled,but the influence of other culture symptoms could also be seen. Under the influence of the culture of the central plains of China,the character of realism is presented in Lisao, while under that of Chu,the character of witch is shown,and the joint influence of the other cultures makes Lisao full of cultural variety. The fourth part unscrambles Lisao from the angle of forklore.The appearance of Lisao was closely related to folklore. When writing the work, Quyuan made full use of the forklore at that time. Some particular customs of clothing,divinations and totemism are illustrated in this paper,which were presented in the style of art by Quyuan in his work to make it more striking. What's more,the understanding of customs helps to deeply analyze Lisao.The fifth part is conclusion, concluding the new ways and characteristics of the study of Lisao.