A Comparative Study On The Artistic Image Of Cuiyingying, Duliniang And Lindaiyu On The Chinese Traditional Opera Stage

There are many research articles about "Romance of the western chamber", "The peony pavilion", "A dream in red mansions" at home and abroad, and some comparison analysis of between the three articles Yingying Cui, liniang Du and daiyu Lin, these articles basically take the literature original as the research object. The three female images own quite high status on the chinese traditional opera stage, but there is still no comparison study articles between the three females'stage artistic image in specific the chinese traditional opera works. This article from text content, music structure characteristics, drama aesthetic features the three aspects make comparisons study between the three heroine stage artistic image in the there works of the perking "Romance of the western chamber", Kun opera "The peony pavilion", and the Yue opera "a dream of red mansions", main combination with literariness, music and performance distinctive characteristics of three female images to make comparison analysis, this paper focuses on analysis the literariness reflection of the three women images in the script, music structure characteristics and shape the relationship of the three images, the reflections of some of the drama aesthetic features (mainly refers to the tragedy, comedic style color and realism, romantic technique) in three women stage art images. Through the researches, thus make the preliminary explorations of the system study methods of the chinese traditional opera works'stage character images, also make the explorations to systematically research about the logical thinking methods'of the chinese traditional opera stage works characters'image.The chinese traditional opera characters' study should comprehensively to undertake, because the chinese traditional opera itself is a very comprehensive art, and the author involved "comprehensive" requires knowledge wider, not only refers to the chinese traditional opera performance itself including "four power " "five method ", but also involves in the knowledge of the respects outside the music, performance such as the knowledge of the literature, aesthetics, director and so on. In addition, the researchers also should stand at the height of the drama to study the chinese traditional opera characters, so that to utilize the related knowledge freely.