Modern Significance Of Landscape Painting

Chinese Painting in the landscape section, germination in the Jin Dynasty and has a thousand years of history. It has undergone the late Tang, Five Dynasties, Song and Yuan dynasties of several stages, to form a complete ink system language, so many of Ming and Qing Dynasties and in the current study and landscape paintings came from copying the Five Dynasties and the Tang and Song masterpiece began, to control the performance of Chinese landscape painting language. But this also led to negative effects, and many artists do not want exposure or no exposure to live life to works of a lack of vitality, but the game in the ink. For example, the famous landscape painters of Ming Shen Zhou and many of his works are applied in the rocks Cunfa Dynasty Wang Meng's painting, the Qing Dynasty "Four Wangs" and "a tree with one stone, without exception, link up with the ancient blood" philosophy of their work has a very a big impact, but also paid great attention to the study of Chinese painting teacher-student relationship, their disciples only in the ancient painting techniques to find dead and gave up a lively source of nature. Ancient Chinese paintings, landscapes, ahead of the Chinese nation's spirit of the act on the painting, most clearly reflected in the landscape. Landscape painting to the Qing Dynasty "Four Wangs", the program has become a spent force. Changes in people's aesthetic determined the emergence of the modern landscape. Even if we appreciate the innovative landscape paintings on behalf of Shi Tao, still feel that there are some stylized and symbolic nature of the paintings, but Fu Baoshi, Li Keran, Shi Lu, snow-stone of the draw is now before us, but feel very modern, I have been think about this issue, why is also a brush and rice paper, was able to create a different experience of cultural products.Through the study of modern landscape painters come to the conclusion that the artist's in-depth throughout life and have made the perfect combination of capacity, has generated a lively paintings depicting. In this paper, from a few experiences of modern and contemporary painters begin to answer the modern landscape features. The Tang Dynasty painter Zhang impatient of the "foreign teacher good fortune, in the very heart sources" have confirmed a number of the artist's artistic achievement is not accidental, but rather frequently in nature to go in the water in the true mountain real paint adhere to the "art of life is the source of "philosophy, then art materials, art collecting experience accumulated and refined general. Art comes from life, painting and performance art of the question, first of all is the observation and understanding of real-life problems. Chinese landscape painters as different from the Western artists at a fixed location, angle, time to observe and performance, within sight of things, instead of using walking and observation, the venue for King method. Family must be good at landscape features found in the ordinary extraordinary beauty, capable of turning the idea of a real scene to conduct trade-offs, which is made throughout the ability. Chinese painting has always been conscious about "mood", whether a painting mood, mood level, becoming a work evaluation of the merits of the main factors. This paper dealt mainly with the modern landscape painting of the impact, but did not deny the importance of ink, after all, the development of landscape painting than a thousand years, there is a very profound cultural accumulation, is something we can learn, but, as Shi Tao said: " With the era of pen and ink when the "Chinese Painting in the mood, reflects an artist's meaning and self-cultivation. Therefore, passage of ink to create the mood, is the soul of Chinese painting, traditional Chinese landscape painting distribute unlimited vitality.