On The Use Of Landscape Programs And The Relationship Between Teacher And Good Fortune

This article through the on the specific application of the program of the China landscape painting in the of Creation of Situations in when of the, to further to explore the in the a standardized and complete program system under the, the painting image of the expansion with the painting symbol language of the enrich the sexual of the problem is looking for, The purpose of is to looking for the in the in the of the development of today’s ink painting modeling a variety of the possibility of the language, to avoid on the of to detention of by the fixed mode of thinking of the program’s the true temperament the performance of painting those who, constantly looking for new nutrition in the in the process of division of good fortune. A big feature of the process of the formation of the Chinese landscape painting mastery and application of program specification, forming a series of landscape creating the mood of an artist truly experience the results of the self-psychological process, people will own imagination into when the artistic image of the is specific, it is one kinds from the perception to the process of the rationale for known to, with in this process composed of the screen symbol language and program the formation of the so-called the "style of landscape" of Chinese painting program the development of is in a constantly of the supplement, of the process of gain perfectDevelopment of Chinese painting to the present, the pen and ink program has been the development of the relative perfect, due to the restrictions of the environment, the painter how to in the in environments with limited to avoid painting creation of the conservative and stagnating, deletions lead from natural in the role as a bridge in the pen and ink And Totem Among is should arouse us to think about of the problem, sketching is the we able to in the learning of the process of the traditional landscape painting to obtain the language of the new Painting one of the ways, in the this process li, to seek new nutrition, thereby to seek the a variety of the possibility of in the in painting creation.