Flushed Swan Reflected In The Warer

In the spiritual fields of Chinese modern intelectuals who stepped out of ancient oriental vast poetic Chinese nation and also benefited from western poetic trends,The inner elements of traditional poetry culture is extremely abundant,During the progress of the western culture,the classic flavour and the fundamental life pursuit of the poet himself has been gratually intermingled;The contextual features and stylistic ones of poetic creation is about to take on "Classic" insinuation into emotional activities aesthetic process and orientation of poetics. Such trend proves that classics should be a kind of real cultural power and give rise to modern national poetry as well.The essay selects the typical views and fields of Chinese modern poems that accuratelyand fixedly pours out one's heart------Chinese modern love poems (modern vernacularChinese new poems in the light of the subjective love experience of the perspective authors),does some research and exploration. In three dimensional spaces concerning tradition west and modernity,by means of sorting out theoretical harmony between Chinese and western poetics and explaining the cultural sources of "archetype" implied in the love poems contexts,The essay expounds looming classic inner secret in the turbulent evolution,and analysed bit by bit the poetry schools in different stages,the poets' respective accomplishment emphasis and love poems creation and outstanding variation in the essence of aesthetics. At the same time,the essay endeavours to study and contemplates ontological connotation of "Love" in terms of plaintiveness and refreshment involving the flavours of Tang Dynasty and Song Dynasty related to the Modern love poems,and finally returns to its destinations redeems and exalts,and establishes the position of "Chronology" about Chinese modern love poems.