| In modem literary history, representative works, which are written by some, famous writers, gradually fade with time passing. While, we can find that works of some writers aren't outside of present readers' visual field not because concrete language surroundings changes. The TV sery, sunrise is shown at many TV stations, it makes us for Cao Yu and modem literary to cheer and rejoicing, besides rejoicing, I fall in deep reflection: They are all modem famous writers, why do Cao Yu's some works spread forever and so far, are still popular with readers? Those are all Cao Yu's works, why do early works and later works have different results? These are hardly explained by the character which works copy given period, society, history, just because of it, coming near to master, talking with him spiritually and spying upon his creation's process of train of thought at different period, perhaps this help us understand the kind of questions exploring Cao Yu's creation's psychology. The article draw into the artistic experience which is the core conception of literature and art psychology, before a writer creating, his spiritual experience and feeling are secret codes translating writers' creation's psychology treasury.There parts of the article are as follows.The first part, the artistic experience before Creation. In his childhood, Cao Yu suffers some pain incidents, such as his mother's death, families decline and so on, those influence the choose of his creation's topic later, his feeling keynote, his artistic style and his great sensitive care to the female. The experience of feeling guilt comes from his contradictory mood that Cao Yu is afraid and fond of his father. The structure of no-evil roles is the concrete, expression of the experience of feeling guilt, such as Zhou puyuan like his father's shadow, Jiaomu and so on. Since he is a child, Cao Yu's temperament is solitary, melon choky, introverted, he is still good at reflection, sentimental, feeling plentiful, because of those temperamental reasons. Cao Yu can't pour out his enthusiasm like fine to others. When he has the ability of a writer to create, his creation is full of poetry. His family's strong religious atmosphere makes his earlyfeel the huge world , the tiny human--being , the magical universe , owing to hismagical experience, Cao Yu greatly has compassion for and sympathize with those who live in the narrow and small cage, besides compassion, Cao Yu owes saving the world's good person ption to religion and primitive barbaric physical strength.The second part Generally Speaking, there isn't a explicit topic before Cao Yu writing a play in early stage, but there is some kind of disclear impulse or inspirit and obscure , poetry or musical melody feeling and imagination, he starts to conceive his play. He can't accept any kind control and standard of abstract fixed concept of thought, thus, there leave poetry aftertaste and nice daydream. In Cao Yu's plays, the best colorful artistic figures are all female. They have Chinese traditional virtue, gentle and kind hearted Sufang, Shiping, Ruijue; enthusiastic and shrewish Fanyk Jinzi and so on, They all are typical reprehensive and greatly rich Chinese modern literacy's gallery, there show the writer's profound care and sympathize to the female. Generally due to miser, readers look on Zhou puyuan, Zenghao, Jiaomu as the fierce representatives. Actually, these figures written by Cao Yu aren't villains, they poison others, at the same time, they themselves are poisoned deeply , so they should be pitied and sympathized by readers and audiences. The narrow and small Cage is a feeling due which runs through Cao Yu's works at early stage, by the feeling due, the writer delivers his views about human life, the world, the universe. All figures in Cao Yu's plays are birds not fleeing from the cage. Cao Yu think the birds can't fly out of the Cage until having the aid of the primitive barbaric physician strength, returning originality is the panacea which Cao Yu prescribes for thin and weak human bein...
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