The Compositional Factors Of Contemporary Revolutionary Literary

In view of the plurality of contemporary thoughts, all sorts of vulgar sociological criticism and allegations of class struggle which agree with the main current ideology reveal their religiousness and illusoriness without exception. Under such an authoritative ideology, people can't show their actual reading experiences but explanations of all things in accordance with the prescriptive norms , whose conclusions are predetermined and the demonstration of authoritative ideology . Actually , along with the gradual liberation of thoughts , new patterns and trends began to emerge concerning research on contemporary revolutionary literary creative mechanism . the significance of this kind of research lies not only in the application of some new methods such as psychology ,narratology , structuralism and others , but also in revealing our innovations and deepening knowledge of the world , tradition and traditional experience . Based on the above statement, the present thesis aims to probe the unique narratological factors of contemporary revolutionary literary works through close-reading and analyzing three typical scenes , i.e. , lecture scene , grievance scene and battlefield scene.This thesis is divided into three parts.Foreword, this part mainly outlines the present research made on contemporary revolutionary literature and indicates the writing perspective and general compositional scheme. Besides, several key critical terms are defined in this section in favor of the following analysis. The three chapters dealing with the three typical scenes are the core of the thesis.The first chapter deals with the "lecture" scene, basing on it's three foundations of contemporary revolutionary literature, namely, the grand subjective imagination ,nomination of the abstract essence of recipient , the comprehensive building of enviroment and atmosphere . In addition, it deals with the power connotation of lecture discourse and "signifiant" rhetoric on the level of linguistic philosophy. Finally, the male chauvinism is also analyzed from the gender studies perspective.The second chapter deals with the "grievance" scene, basing on it's three foundations of contemporary revolutionary literature, namely, the time ethics of rupture and evolution , the organizational law of class theory , the coexistence of three meaning-deriving sides . It analyses the methods that organizers use to organize the masses. The psychotherapic power to recipients of grievance about its contextual, power compensation and collective protection, self-illusion . In this process, organizer could achieve the set purpose of revolution.The third chapter deals with the " battle field" scene and analyses its inherent metaphysical nature, namely, concrete individual would like to die for a kind of abstract goal in contemporary revolutionary literature. For example, individual incorporation into r "whole" and the acquisition of the " meaning" . This section also reflects the relevance between "grand narrative" and the western narration on the neutral grounds.Conclusion, the part reviews the thesis and puts forward possibility of deeper research. It concludes that the research of contemporary revolutionary literary creative mechanism is an organic integration including close-reading, social analysis and historical data studies etc..