On The Two-side Conflict Lied In The Mind Of Musicians In Romanticism

The question of the two-side conflict in mind always lies in the spirit of the western people, which absolutely penetrates into religion , art , philosophy and so on. For the musicians of romanticism are more sensitive than others, they are easier to be distressed with the two-side conflict in mind, which is certainly reflected into their compositions. Therefore, only by means of deeply understanding the conflict lied in the mind of musicians of romanticism can we truly comprehend their compositions. So this thesis , from the angle of aesthetics and psychology, analyzes the two-side conflict and the musical concept resulted from the conflict.The thesis contains three parts of introduction, text and conclusion .The introduction clarifies the motive and significance of the question for study. The main text consists of three parts as well. The first part reveals the essence of romanticism and the characteristics of art of romanticism. The second part expounds the contents of the two-side conflict and the musical concept resulted from them . The third part explores , from two aspects of history and culture , the reasons which results in the two-side conflict. The conclusion gives a summary for the thesis.