No Where To Break Out

Since the May Fourth Movement, the transition of cultural value and variance in the cultural order make female writing emerge from the historical earth's surface. Because it appears in modern China where lacks the social background for women's right, It resists constantly with male words power at the beginning, so it falls into the relationship of conspiracy and confrontation. This text attempts to proceed from this angle of male image in the modern female writing and represent the development process of female writing in modern China: Betray against father's home -Return to father's home - Expose to paternal culture lie, and attempts to explain divisive nature of these texts, that is, on one hand, they attempt to destruct the position of male's role, while on the other hand, the consciousness of male's role is ubiquitous, which controls words right in the texts of women , and restrain female writing as well.This paper is divided into three parts to unscramblp the following thesis:Through analyzing the male character that exists in those "murder father'texts, part one expose the female writings betrayal against the fathers' home. In the May Fourth Movement period, the female writing succeed in queering and denying of the symbol order to a certain extent and indicated the changeability of gender's right, while at the same time, because of this simple metathesis, it gives a possibility for the female writing which return to "fathers' home" .In the part two, I analyze the establishment of"social liberation equal to women's liberation" pattern, which based on women writing in left-wing period (represented by Ding ling's novels), and the male hero's mythical prototype which this pattern represented . In this part, I want to explain the swamp which the modern women writing confronted, it made the female writing fell into male's narration.In the final part, Taking Zhang AiLing' s novels as an example, I analyze how the modern women's writing reveals another historical truth in the paternal culture that is camouflaged by male narration. Zhang AiLing's text were no longer staying at the accusement on man, but got deeply to the layer of patrilineal culture and carry on the destructive action.