The statistic that there are at least 3750 female writers in Qing Dynasty is the special phenomenon to the whole world. Concentrating on cultural studies of China female writers, the thesis analyzes different issues on women education, writing and publishing, the self-awareness and self-expression of female themselves included. Hovering between murmur and grand narrative, the female literature survived. Morality, literature gift, sex attracting and reputation were basic facts in these gender debates. Especially, they could be seen clearly by the investigation of Cai-De Guan (the viewpoints of literary community towards female talents). Though analysis of publishing strategies in four collections of women poets and Ci, it shows that business benefit plays an important role in the compiling, printing and broadcasting women creative works.
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