The Aesthetic Region In The Scope Of Language

In the first part of the article, through researching the ontology of Martin Heidegger, the writer has obtained three categories: the region of the world, the region of being there, the region of the truth. The three categories are very similar with the important category of region in the classic aesthetics in China. He concluded a clue from the life world to the beautiful aesthetic region and the similar character of the three categories in the space-time. So we can stand beauty on the solid base of reality. And it supplies a bridge over the gap between aesthetics in China and aesthetics in the West. Human beings live in the world, have complex living experience, have substantial emotional experiences, have different kinds of understanding and perception to the world, the life, and the universe. It is the base of aesthetic experience. Only the aesthetic region is the region of great truth and great beauty that built on the base of experience and perception of personal life history, the deposit of emotion, the culture of the ethnic, the social consciousness and non-consciousness, and the regularity in the universe. And it can support our massive and unvarying aesthetic experience.In the second part of the article, the writer has obtained the discourse about the essence of language, and has connected it with art. Language can reveal the being and the reasonable and famous words, "language is the house of being", is well-known in the world, "the essence of language is Tao-speaking", "Tao" is the regularity and conditions in the universe hiding in the relation between the thing and the world, "speaking" is to pass the message, so we can see that the essence of language is to pass the message of the regularity and conditions in the universe. The course of it forms a series: the truth-the being of language-the language of human being-the object of language. And art can be seen as a kind of language, art is a first-rate way to reveal the being, especially for poem. Heidegger had taken great effort to prove the function of language to reveal the being. In the course of revealing the "Tao" in the universe, art has formed a series like the language's: the truth-the being of art-the art of human being-the object of art.In the third part of the article, the writer has researched the essential function of language in building the aesthetic region on the bridge between language and theregion, and has developed a concept of the aesthetic four-dimension space. The function of language in building the aesthetic region is essential. It's language that has built the aesthetic region and has made us gain aesthetic experience. Language has provided particular eyeshot to reveal the deeply aesthetic region. The region is a kind of shot, and it is a kind of time-and-space shot. The region of the world, the region of being there, and the region of the truth are all time-and-space shot. The aesthetic region is a kind of poetic spirit time-and-space shot, in the course of "pass the message of 'Tao'" , the time-and-space shot has transcended from the limited worldly time-and-space to the infinite time-and-space shot. In the same time, the aesthetic subject has arrived the region of great beauty. We can precisely grasp the essence of Heidegger's aesthetic theory through researching the situation of variation of language and the aesthetic time-and-space of eight kinds of art.In the last part of the article, through joining the situation of researching of Heidegger's aesthetics in China, the writer has objected the value of Heidegger's aesthetic theory in reseaching the ontology of aesthetics, the interfluent between Chinese aesthetics and the West aesthetics, building modern language aesthetics, building modern aesthetic culture in China and buiding modern Hermes.