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Treading And Watching In Prose Of 1990s Exploring The Evolution Of Clerisy Pneuma From 2 Imago: Landscape And Sashay

Posted on:2005-07-14Degree:MasterType:Thesis
Country:ChinaCandidate:J ChengFull Text:PDF
GTID:2155360122992819Subject:Chinese Modern and Contemporary Literature
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In this paper, we can explore clerisy pneuma in 1990s from their prose those narrating two imagoes: landscape and sashay.This paper falls into three parts:Part 1: The cahoots of prose style and clerisy in 1990s. There are culture annotation and spirit expressing in clerisy prose in 1990s. Clerisy attending to prose writing made it flourishing, and advanced the quality of prose in last century.Part 2: Focusing on principal tow imago: Landscape and Sashay. In 1990s, Landscape and Sashay are the most two principal imagoes in prose. Some author, such as Yu Qiuyu, Zhang Chengzhi, Zhou Tao, Ma Lihua, trod in the land of country. They believe that beautiful landscape can enlighten their thought about being, culture and history. Others such as Shi Tiesheng, Che Qianzi, would rather watch in some sashay. In this way, they obtained an unattached space.Part 3: The meaning of this tow imago: Landscape and Sashay. In imago of Landscape, clerisy in 1990s expressed their pursuing for freedom and furor. In imago of Sashay, they expressed their attitude to history, culture and tradition. In this tow imago, we can see their idea, attitude and the tendency of spirit. Treading and Watching are their stance.
Keywords/Search Tags:Culture, Pneuma, Landscape, Sashay
PDF Full Text Request
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