Awakening·Maze And Resistance

The writing-themselves of women is the indispensable forming aesthetically in literature. The writing-themselves by early modern authoresses in China, as a conscious practice of discourse have terminated fundamentally the subject advantage with always absolute male discourse in Chinese literature history, and constructed successfully the aesthetic view of Chinese literature again. The writing themselves of early China's modern authoresses represented by Chen- Hengzhe, Su-Xuelin, LuYin, Ling-Shuhua, Feng-Yuanjun, BaiWei, BingXin and DingLing etc. just like an integrated symphony, in which combined the trio-sonata of awakening, maze and fight. The emergence of the May Fourth movement impelled them to awaken valuably in dual predicament of history and realistic finally. They openedtheir eyes and inspected their past and present after lethargic sleep andnightmare. But the enormous distinction was formed in contrasting theirfeebleness with still strong traditional in the male center of right which had existed thousands of year. They still faced the history predicament, in which endured the double suppression from the ethics order and sexism of taking man right as the center rule, and faced such the realistic dilemma as the ethics institution terribly passing on, having no way out of female bitterness, the era atmosphere and social concept relatively lagging behind, the equality of men and women realizing hardly. These predicaments certainly made their writing filled with thick perplexed mood. With the awakening and maze, there was their persistent self-fighting. They excited the will of pursing themselves in writing their own suffering, washed away the dirtiness in the society of man right center in writing the beauty of Nature; apparently showed the great and holy of women in writing the theme of Mother love; realized the self-subject consciousness in writing the pursing freedom of marriage; challenged and resisted the brutal man right tradition in writingthe individual beauty of women and the desire of body; made public the female liberation of personality by a extreme way in writing the emotion of women. The awakening time, perplexed note and melody of the fight were not the single appearing, but combined each other and deduced in their own writing by way of trio-sonata. Resistance, the melody of inspiring soul, resounded through subject of the trio. The writing oneself of women, through the way to consciously practice with discourse, melodized the new symphony of Chinese literature history, and enlightened the endless road that the modern women of China go toward liberation.