The Research Of The Aesthetic Body Feeling Of Spiritual Perception

This paper leads to the category of the spiritual perception from the fable of "PaoDing Dissects the Cow" from Zhuang Zi(a Chinese classic),and analyses the social background and philosophical base breeding this category . This paper holds the idea that the cause of spiritual perception is an internal spiritual transcendence and external spiritual freedom of the blend and communication between subject and object. The aesthetic perception of Dao and the thinking way of " Nature and man are interactive to each other" determines the connection between soul and nature of spiritual perception.As a kind of aesthetic experience, both spiritual perception and the body feeling are based on the general experience of everything. These two things have something in common in the subjective practice and the process of feeling for the object. In respect of the creating way of aesthetics, spiritual perception is characterized by the thought's sublimation with the sudden flash of inspiration. As the manifestations of perceptual thinking on internal subconscious activity, spiritual perception and the feeling of body incarnate the connection between the subject and Dao. Spiritual perception is a kind of intuitive mode of thinking, an aesthetic thinking that transcends appearance and go directly into the essence. Compared to intuition, it attaches more attention to the understanding and communication of mind. Spiritual perception needs the serenity of mind to give a better expression to the sensible individual and the intentional existence and promote a better communication between subject and object. As an aesthetic way, spiritual perception makes artistic construction through aesthetic imagination. Art is the way of feeling for image, which shows the existence of the object's spirit through the organic connection, via intensity to relax, between different parts in the form. With the development of modern science, the plausibility of "words not capable of expressing what one is thinking" and "the grasp of meaning makes way of expression less important" is proved more reasonable. Spiritual perception is just a way to exceed the limit of words to express the implication. In the artistic construction, image is the carrier for the expression of meaning, and the context is the excess of image. The real charm of the art can be grasped through the penetration of the surface of image and context. The life of art lies in the representation of living things but not the things themselves. It is a means to exceed the reality and realize the dream. Art chases for the unity of experience and sense in image. To convey the spirit, different artistic types create different techniques of artistic transformation. Spiritual perception is to realize its aim of grasping the life through artistic creation or artistic transformation. Spiritual perception has deep influence on the later theory of the aesthetic creation. Its specialty and advantages in classical critical theory are built by the wittism aesthetic experience and ideology.