Theory About The Piano Development And The Usage Of The Soft Sound Pedal

The soft sound pedal is the importance of the piano pedal system to constitute the part, it makes the piano take place the variety on the volume, tone color, construct a music image with fresh and clear character. It with make the sound machine pedal similar, is good assistant of necessary performer. Develop continuously along with this big musical instrument form of piano perfect, the relevant piano gives musical performance the study of the technique realm to pile up one after another, but among them is opposite to the piano treatise of the soft sound pedal to say the less. This paper tries hard for to pass the analysis, introduce the creation of the soft sound pedal and develop, the playing rule and in the each history that piano develop period, flow send of usage principle, give musical performance the method to cause the teaching and value of performer to soft sound pedal, can make it develop important function of a tone color, the volume modulator. Study the soft sound pedal, the important step changes in the piano history development of this musical instrument first. The pedal system not since day of the piano naissance existence, it experienced from did not to have, from simple arrive complicated a series of change. The At through continuous trial and improvements, have already had own development history and perfect mechanisms solemnly Make the sound machine pedal together similar, the soft sound pedal has the oneself the particular marking method. Because the dissimilarity of the composer's nationality, language makes the soft sound pedal pass in and out the marking to is divided into English, French, German and Italians substantially; Because composer of personal write to make it a rule different, the marking of the soft sound pedal also take to have the mightiness characteristic; Different performer according to give musical performance the habit and the processing methods personally, also make the marking of the soft sound pedal have the obvious dissimilarity. Many pianos give musical performance the master to have the oneself to the pedal of original realize, they use the sign or technical terms that oneself design specially to come to the marking pedal, this also left the precious data for the marking method that studies the soft sound pedal. The soft sound pedal gives musical performance the rule is the point of the research. The piano music is in endless development age, the dissimilarity flows the parties, not the work of the corresponding period, different style can't be pure with what time the fixed mode, method elaborate Each periods contain own style, each joy partieses contain oneself pursue to the character of the voice.. Each one contain the representative's piano masters all have own particular give musical performance the technique. Study the soft sound pedal gives musical performance the rule to want to change to measure the factor with these close combine. Among them, Give musical performance the study of the technique and give musical performance the master with some existing pianos to give musical performance the elucidation to combine together to a certain and period and soft sound pedal. On the Baroque period almost can not find the marking concerning pedal, but now for shorten the contemporary piano to carry the difference on the voice and must ask for help the pedal properly with piano in early days; the ages of Mort and Beethoven left in large quantity specialized for piano, But their ages is placed in the develop period of the piano, the technique concept of the soft sound pedal of their earlier period can't be applicable to the contemporary piano completely; The 19 centuries of composer starts value to rise the soft sound pedal .but is very confusion to the marking of the soft sound pedal. Usually can not see to lift up of mark clearly, a lot of markings are antilogies. Such marking give musical performance and can in no way depend on the original table completely. The 20 centuries of the piano music character is hundred percent, the composers usually use from the marking t...