The Study Of Li Yuqiu's Accordion Music

The thesis analyzes and studies the representative work of Li Yuqiu, the"sonata of changzheng " and "Goddess strewing flowers down from heaven" from the historical background to his creative connotation, from creative skills to aesthetic theory, and from the macro angle to the micro angle.The first part is dedicated to the study of his the first chapter of "sonata of changzheng ". The researcher started from giving a vivid picture to its background through reflecting the composer's growing process to a composer, his affective experience of the Long March and his experiential accumulation in creating "sonata of changzheng ".After that the thesis carefully analyzes and explores the creative skills with special feature and then summarizes his composing characteristics of his works using a inductive method and generalization method. And lastly, the conclusion was drawn from the comparison between the analyze and the traditional and classical creative regulation: Li Yuqiu composed his works by inheriting and drawing on the western creative skills while complying with the Chinese way of thinking — the "steam of consciousness" featured by "loose in its form while focusing on its content" and displays Chinese revolutionary history using the full beauty of music. The second part is about the study of nation wide composition of the "Goddess strewing flowers down from heaven". The researcher thinks that Li Yuqiu's folk personality was mainly embodied in his folk format and his folk spirit. Following the two sides the researcher investigated this artistic classic from the "Structure", "Rhythm", "Bar" "Melody", "Tone color", "Aesthetics" etc.