Loss Of Female World

As a kind of social system existed before, man-centred system has become a history.However,its ideology and mechanism of social adaption which comes into being with it have been becoming a deep-rooted existence in reality. In this text, the writer stands on the feminism position regarding feminism animadversion theories as to see to order, and pays attention to sex image and sex narrative of the Chinese popular films and teleplays in 1990s.The text mainly excavate the ideology essence hidden of the language, analysis and explain how the film and teleplay texts growing up on the traditional man-cent red culture have adopted many methods such as occupying the female subjectivity, usurping or adapting the female idiolects to reconstruct man-cent red discourse supremacy. If reconstruct a kind of female film language which accord to the will and interests of female, it will be benefit to reconstructing an equal dialogue and communication between female and male and it will be impel female to return to the "human"existence essence.This text is divided into three parts to explain itself in detail:The first part is simply introduced the feminism that modern philosophy in west language descend systematically, Particularly feminism film and teleplay criticism theory 。 Through the sociology, psychoanalysis and culture analysis, the theory makes a profound explanation on the female image in the films and teleplays, as well as the distinction of sexes on culture limitation. In the same time, it can open up a culture existence which the female is depressed and neglected by man-centered culture.The second part chiefly makes clear the concept and category of female film. It refers to the film texts that were directed by female on the basis of strong and novel female standpoint and consciousness. As unconventional film language, the typical characteristics of female film are: unique discourse mechanism, novel perspectives of the audience, prominent sexes standpoint, clear female consciousness,multi-dimensional female leitmotiv.The third part cutting mainly from the traditional aspect, we will analysis how the Chinese films and teleplays in the 1990's have reconstructed a man's ideal order...