Painting Imaginary Is Poem Pursuit Of Poetic Imagery In Painting Of Flower And Bird

Being developed for thousands of years, the Chinese ancient poetry and the Chinese flower and bird painting heavily influence and even merge each other. Mutually nurtured, they have brought out the best in each other. Based on this, this essay breaks through the common state of relative closed research in arts, instead of which, it places the viewpoint on the internal relationships of paintings and Chinese ancient poetic lines. Through the comparative studies, the essay comprehensively combs clear the same aesthetic judgment rulers they both share and the similar artistic aesthetic judgment characteristics and laws, aiming to figure out the access from arts to its basis life, find the artistic illustrations for the theories, and abstract out the unique wisdom of life for Chinese people.The essay starts with the words of Hegel, which is then followed by many a concept. This section mainly introduces the causes of problems, the research errors made by academic societies, and the enlightenment of poem aesthetics to this essay.Chapter 1 elaborates the relationship between poems and painting in two aspectsxourse of merge, and foundation of merger.According to the theories in Appreciation of Twenty-four Poems written by Sikong Tu of Tang Dynasty (A.D.617-A.D.907), Chapter 2 classifies the expressions for the flower and bird painting by six categories, namely, the vigorous and firm, the elegant, the unadorned, the gorgeous, the clear, and the unrestrained and exultant.Chapter 3 analyzes in details on the aesthetics characteristics of the...