The context of globalization is not only a challenge, but also an opportunity for China'smovies. This thesis, with the exposition of the cultural characteristic of the movies,combining with the development path of the Chinese films, points out the possibility ofkeeping the nationality's unique culture and the possibility of integration with other cultures.It will be succeed in China's movies about intercultural communication when the conjointpoint will be found between globalization and location, with the objective of consensus butdifferent essence as the cultural demand The modernism transition of Chinese films aestheticsshould not only melt into the international culture background initiatively, but join the globaland multiple developing process positively as well, and at the mean time, it should beregarded as an open theory frame.
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