Talk About "Verve" And "Form" Of The Noble Woman Painting Of Tang Dynasty

The painting of noble woman experienced an endless history stage but develop gradually with perfect.From Chu silks within last home painting《the person dragon phenix silks painting》see, the our country has already had women the image to appear before the western Han Tang Dynastyt Dai Hou's wife last home bury silks painting far, going to Tang Dynasty to become an independent painting section, five period skills were more perfect, has been develop up to now.Tang Dynasty painting of noble woman occupies an important position in ancient painting of noble woman development history in China.Zhang Xuan and Zhou Fang , come out from the tie up of religion medium liberation the painting of noble woman first, make it become a can be juxtaposed with landscape, flowers and birds painting of draw a kind alone.In the meantime make use of women's beautiful image again in Buddhism art.(include mural and roller for scrolls painting)The painting of noble woman shapeses in Tang Dynasties are all very big and plentiful full and healthy, created "swim silk to copy", "the wire copy", and synthesized these two kinds of"the string copy" of style of writingses in attending to Gu Kaizhi of spring silkworm spinning silk fine thread to copy foundation.Make use of thin ink fine to depict women plentiful full face also, particularly to eyebrow and depict oscularly more delicate.At the Tang Dynasty, people believe in religious thought specially prosperous, the past then rt is greatly part of to reflect a religious contents.But of, the more one-time painting has marked difference :Namely the Buddha law instrument rules of religious painting with with reality live for the person painting of copy unify, can make the painting work absorb a fresh material in the realistic life, giving them thus with the booming vitality.Especially go into of Tang Dynasty a life time doctrine and free thought, present of optimism, aggressive realism spirit, make painting work more rich in the human life life of sentimental appeal. In the Eastern Jin Dynasty Gu Kaizhi "On painting" Lane made a real target performance requirements : not only for appearance, movement, gesture, shape similar;But also through the artistic shape and performance figures social identity, personality characteristics and feelings. Performance art on God and God is more closely associated with, God must be true shape can shape performance. Also highlighted and exaggerated by the use of costumes, the beautiful environment;And how to design the layout arrangements made "move would result in", "How to Wall Federated." Gu Kaizhi of the "vivid", a traditional Chinese painting portraits unshakable.Noble woman in the Tang Dynasty painter, and stress to calligraphy to establish physical outline and structure-come under the general category of color tint. They are similar in appearance and the pursuit of authenticity, "to further write-shaped" to "bone use a pen," in "color landscape color," good "with a given category," with the result that some of the realist style of calligraphy that lies with the color decoration.Noble woman paintings in the Tang Dynasty, form line applications such as pens, color vital dyes such skills can become our major means of artistic expression, and more importantly their access to the emotional expression is the fundamental uniqueness of national art, we should creatively successor. God, "a traditional Chinese painting portraits unshakable. .