The Relevance Between The Imagery In Noble Woman Painting And That In Palace Enmity Poem Of Tang Dynasty

Part of the noble woman painting in the Tang dynasty were often regarded by the literati and scholars of dynasties that showing a certain sense of resentment.These noble woman painting works include some silk paintings and some archaeological murals of the Tang dynasty tombs.The booming of these paintings is not an isolated historical phenomenon,but rather with the prosperity of the palace enmity poems of Tang dynasty.On the other hand,the style of palace enmity poems is also affected by the noble woman painting of Tang dynasty.The two are related to each other in the "palace repining " imagery.And the imagery is also a key factor in the relevance of poetry and painting.Firstly,the relationship between the noble woman painting and the palace enmity poems of Tang dynasty is close.As the social and cultural backgrounds of the two are similar,the poets and painters are communicate closely,and they have the common pursuit of the artistic conception.The arts of the Tang dynasty tombs have huge differences from the arts of reality.But there is a certain connection between them too.Secondly,the images of the palace enmity poem and sorrowful noble woman painting can be summarized into three kinds:the image of the four seasons,the image of the movement and the artifacts.Each type also contains some of the common image of the palace enmity poem and sorrowful noble woman painting.The imagery tradition,imagery expression techniques and other aspects will be full discussed.That the palace enmity poem and the noble woman painting with the hidden meaning to create the imagery,communicate with and learn from each other in a particular history or culture and specific social context will be explored.