| Chinese landscape painting as a creative aesthetic activity embodies the human spirit and the high integration of the universe material world. As the most visible visual arts of the most emotional factors colors in the art of Chinese landscape paintings reflect Chinese painter unique philosophy pursued, it is home to paintings themselves and the universe with the spirit of dialogue channels.This writings is the primary research of Chinese landscape paintings color. The article is divided into three sections to analyze landscape color. The first chapter from the perspective of Chinese landscape painting colorful culture through the five colors execute, the plain afterwards without being painted, with type composing by coloring, and the ink with colorful to analyze the Chinese landscape paintings rich content, color paintings to illustrate the natural realm advocating is a natural and creative integration of the main display. The second section mainly display the nature of color from the perspective of Chinese philosophy, Daoism which to display, Yi-jing and harmony with God, as the philosophy of Chinese landscape painting color to the impact point to note in Chinese landscape paintings color thinking embodies the characteristics of Chinese traditional philosophy unique to Chinese landscape painting with different colors in the Western realist painting of the colors "science" and is a natural ~ and the spirit of performance integration. The third chapter in the history of Chinese landscape paintings from a representative based approach that the green heavy color, the water ink landscape painting, water ink light color to explaining landscapes colors from simple to complex, from the beautifully isbecoming thin, without exception, embodies the essence of Chinese landscape painting color.Traditional painting method inherent in traditional Chinese painting is a major form of ink means, according to the theme and the need to appeal with the color. Chinese landscape painting with color harmony and unity, not rigidly natural flavor reinstated on subjective performance to express the feelings of colors. It is not a natural color for the color to copy, but to embody the essence of natural, natural and creative integration of the main display is outward observation and experience within the unity, and the performance is again unified. Neither "copying" nor "performance" is the total integration of academic and performance with natural beauty and a high degree of unity in the spirit of America. |