The Realm Of Water And Inkin The DV Image

This thesis is about the relationship between the visual factor of traditional paints and DV image. With the development of science and culture, DV has become a new way of social communication. Chinese traditional way of Composting a picture , perspective ,changing sight and unlimited time and space have instructional meaning on shooting. in DV shooting ,the depth of field is a way of great creativity, it can change the sense of space and time ,enforce the artistic and esthetic value . the scene extract some sense of depth from Chinese traditional painting ,which deserve further research. The digital technology take the behind-the-screen polishing to a brand new level. in the process of behind-the-screen polishing, the applying of film editing ,composing is focus on rhythm ,gradus ,and light. these factor can be found in Chinese traditional painting. in the process of shooting ,light is the basic shaping tool of photographer, however ,light in Chinese traditional painting belong to the category of philosophy ,which is a kind of embodiment and visual experience. The color in Chinese traditional painting pay more attention on spiritual induction and vitality, but not the reality. the color in DV not only reflect the real appearance of world but also convey our emotion and feeling .Chinese traditional painting simplify and exaggerate the object via the way of abstraction ,the result of abstraction can form dummy superality. in the process of composing ,we also can use the way of combing the illusional scenery with the reality to erich the device of DV shooting.