From Enthusiastic Imagination To Distant Sorrow

The research objects of the dissertation are the works that represent natural beauty in Britain, France and Germany of Europe in Romanticism period (1789-1848). From the angle of view of style of natural beauty, the dissertation has an elementary survey the types of style of natural beauty of the works into different type according to the features of aesthetics of Romantic thoughts. The thesis chooses the representative work in every style of natural beauty and closely combines with the style of natural beauty of work to construes the reasons that form styles of natural beauty of literary works, discuss the cultural connotation and ideaistic meaning. The style of natural scenery, features of period and author's ideal and faith are blended into each other organically in the process of arguing. The paper discusses primarily what relation is between ideal, realistic, nature and art, and affirms to lasting artistic charm that represent natural beauty of Romantic literary works.The whole dissertation contains eight parts.The first section, introduction: Review the origin of Romanticism and defines clear range of the two concepts. It describes and values resumptively the types of style of natural beauty that will be construed.The second, In this section, construes the political, cultural, scientific and technology and artistic background of Romantic activity. Rising of Romantic literary and artistic activity is the inevitable trend that Classical literature and art develop to end in the background.The third, grand and vast: It is a kind of sublime beauty by reasoning. The chapter analyzes the representation of the majestic and vast style of natural beauty in work, shows the opposing between writers and realistic is the main reason that forms the style.The forth, fantastic and brilliant: It is a kind of shadowy beauty, impalpable beauty and incontrollable beauty. The chapter construes the representation of the style as example by Coleridge's poetry of British poet. The poetry The imagination of poetry is very vagary and penetrates thick religionary meaning, which is creative practice of Romantic poets.