The Drama Theory Of Laoshe In Anti-Japanese War

The modern drama of Laoshe that is Teahous in Anti-Japanese War is popular, but his nine modern dramas in Anti-Japanese war are seldom known by others. In fact, it is the beginning of Laoshe's drama that he created dramas in the war. It's a key of studying his drama. At the beginning of the war, Laoshe gave up his novel creation for the needs of the war and began to creat drama. He created nine dramas in a short time, such as the story of Zhong zizhong. He didn't like to follow others. At the beginning of his drama creation, he thought that he couldn't follow others and it's all his own of benefits and faults. He continuously learnt from others and created new objects bravely. The mark of Laoshe's drama: as a founder and representtive woriter of Beijing literature. Beijing culture is a memory of like to Laoshe and is a dream that he will seek. He is familiar with the objects and people of Beijing, skillful expression that makes his works Beijing style. As an experienced writer, his thinking of novel creation such as technique of writing of drama construction, and appreciation of the beautiful influences his drama creation. If you read his works, you can know that they are novel drama. As a humorous writer, he has a humor and taunting because he suffered when he was young and he was sane to know the reality. From his works, we can see. As a language master, his works are humorous, wise and implicit.From now on we seldom talked about his drama because he was not too skillful to master modern drama or other reasons. We can conclude that his drama is the beginning of future drama without limits or ignoring. If we deep study, his dramas, we can know the success secret of Teahouse and the origin of character exhibition. I want to study his dramas in the war form character, language, the way of creation and so on. I hope that I can enrich the study of Laoshe and chongqing literature in Anti- Japanese war.