The Research On Current Status Of Digitalization Film Production In China

Film is the perfect mix of technology and the art, and its production is a complex process involving sophisticated technological implementation and rich imagination of the art. As a result, any technology innovation of film and its relative technology innovation have huge impact on film producing. The digital technology accounts as one of the most influential innovation on the art of contemporary film. The new digital imaging technology of film also largely enrich recounting method of film and increase the expressive force, not only open a new page of digital film producing model of film production. The new film producing model promote film production to a large extent, therefore on the history of film this makes the greatest achievements in the short time. The huge success of Hollywood film, which continuously break the box office records, make them more believe and pay more attention to digital film producing model, also attract more other countries to copy. In this situation, the innovation of film producing become worldwide instantly, this could be the most important view since the film adverted one hundred years ago. However, it is not easy to reform from the traditional model to the digital model. Facing this challenge, this essay will highlight the findings that both influence and restrict film producing reform in China through comparative analysis, case study and interview, etc. This essay also will disclose and analyze the problems in the Chinese film producing system. Among these problems, some derives from the weak foundation of film producing technology in China, pulsing the lack of capital, little chance of digital producing in practice, less efficient and effective management on choosing and absorbing new technology from the developed country. Except this, the more worse is that people in the film field, can not follow suit for the new development of film, no matter the top management people or the staff in the front line. The less capable to pick up the theoretical innovation of film, less effective of the digital film producing structure in China, less efficient to allocate the film resources. The above problems become more obvious since the reform of digital film producing is more and more urgent. Consequently, everyone who commits to contemporary media has to admit this cruel fact. The findings of this essay will...