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Recognizing The Defeat Of Imported European Paintings At Ming-Qing Through The Requirement Of Expression For Scholars

Posted on:2008-03-27Degree:MasterType:Thesis
Country:ChinaCandidate:X S WangFull Text:PDF
GTID:2155360215464059Subject:Fine Arts
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European paintings have been brought to china since the years in Wan-Li of Ming dynasty, but no influence can be found in chinese painting at the period of ming-Qing. Certainly , the european painting style be refused becourse of it`s naturalism. This essay want to search which factors can make the idea of chinese-painting became to reject the objective-reappearAlthough the European painting style was refused by the main stratum of chinese scholars at Ming-Qing ,but it influenced the folk-painting at north-east china . The naturalism of objective-reappear is the goal for chinese painting from the time of Jin to the time of Song. In the ancient theorys of painting:"vivid flavor"is the means aesthetics that came from the natural, it base on the"objective-reappear"。In the painting:the skill of objective-reappear was being developed continuously. Objective-reappear of chinese painting was ended at Song dynasty . It became the main purpose for painting that the requirement for subjective expression by scholars since Song dynasty at the time the scholar-painting was developed , it is showed as fighting for and the trinity of poetry,handwriting and painting. It is the result for the scholars choiced the idea of subjective-expression that the flourishing of landscape against the decline of portrait since Song. The scholar-painting of"bake to the ancients"on the inititative of Dong-Qi-Chang leading the orthodox ideas for the painting at the time of Ming-Qing, thus it repelled the style of naturalism from Europe. The idea based on the theory of"xing-system"at Ming dynasty instead of"Zen"which they flaunted . It came from the sense of hierarchy and ruling class of scholars indeedly. The choice for style impling the choice for class at Ming-Qing . The imported European paintings speeded up the Chinese painting becoming to refuse objective-reappear completely at Ming-Qing. In the end, the religious belief in chinese common class have no requirements to need the objective-reappear come to the paintings of Taoism and Buddhism...
Keywords/Search Tags:European-painting, objective-reappear, scholar-painting, subjective expression, repel, style
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