The Research On The Paganini's Etudes Of Liszt's Rifacimento

This article abstracts the most representative characteristic of every piece of etudes according to the collection of Liszt's literature and data at all times and in all over the world, being establishing in the developing process, on the basis of performance and practice of Liszt' etudes, and with the cut-in point of the recomposes, regarding the six Paganini piano etudes as studying objects. Moreover, This article help learners understand piano recomposes better and supply a little reference for future teaching mostly on the analysis of composing features and performance skills.All of the article can be mainly divided into three parts. The first part introduces the development of piano etudes and the achievements of Liszt's piano etudes. The second parts give us the background of piano etudes and Liszt's producing Paganini piano etudes, and composing characters of six Paganini etudes. It also discusses the bending structure , tonality, harmony ,rhythm , program music \and so on. The third part is concluded in the aspects of the ways of touching keys, the control of power, the use of petals, and the skills of the round technique etc.