A Research Of Chinese Suona Music Creation Skeleton Since Founding Of The Nation

The suona has become one of national musical instruments which is liked deeply by our people due to its most Chinese characteristic, most national characteristics and most mass music connotation According to the preliminary statistics: suona tunes used in variety of performance activities for many years in our country are approximately already nearly thousand, Among them , folk musics, music transplant of the place drama, as well as proportion ofthe creation music are approximately same If we add on the druming musics which play by the host suona, then the number of suona tunes are possibly more. For many years,the creation of suona musics has caused the innumerable suonas performers and the folk entertainers to move towards the widespread society gradually and is anticipating to present the subjective world and the objective reality by the note form with the aid of the suona medium. If we carefully study the suona tunes we may discover that they take the broad objective world as creator's esthetic object,taking the surface layer of the real life as the music theme, chant the reality,including artistic reappearance and performance of real life phenomenon, folk custom, local conditions and social customs or performer feeling But from the works of multitudinous suona tunes,it is easy to see the suona tuneis only a condition which is passively accepted by the real life and the objective world because of its own knowledge and the cultural flaw as well as the restriction of economical and the esthetic limitation in the region. As one survival way, thinking mode, the expression way and the feeling way in the cultural and ecological environment , the creation of suona music has no creative model and the creative style, it only prevails in one kind of creation shape or the form, the surfaced theme has not been transformed as the intrinsic creation deepening. On the analysis and the research of society cultural context and the program characteristic of suona music creation at the different stage since the founding of the nation,this article has further explored the suona music creation environment and the creation foundationas well as its future development pathThe full text altogether is divided into five parts: (Contained introduction)The introduction partially introduces the research background and the research technique of the essey. Since the founding ofthe nation, the suona has been same with other national musicalinstruments, it all has obtained the huge result in aspects of the performance form, the performance skill, the program creation, the traditional music reorganizing academical discussion, imparting knowledge and educating people, asking for new exploration and so on .Compared with the past,the suona has presented in front of the world by a brand-new posture. First chapter has introduced the suona and the suona music, and elaborated the magnificent achievement and the important status of the suona music in the Chinese tradition music.From the Second chapter to the Fourth chapter ,the suona music development is divided into three stages since founding our country.It separately carries on the analysis on society cultural context and the representative program at each stage,and discovers the factors of influencing the suona music creation. This article is believed that, China's suona music creation has "according to the facts but the sound" of the times; it has the dependence to thecultural ecology.If the Chinese suona music creation is obtained a bigger development, the limitation of the creation must been brok en through to understand the multivariate music culture by the manner of "developing the good and discarding the bad", the bearing of containing.. Walk the development path of the specialized innovation and the popularity coalescence.