The Development Of The Chinese Tradition Landscape Ainting's Composition And The Relationship Between The Compositiong And The Painting Subject

Between the Chinese tradition landscape painting composition and the words has the close relationship. May divide into according to the main body display subjective initiative strong and the weak the traditional landscape painting in the composition aspect development "boundary of the altruism" the pattern and "has I the boundary" the pattern, says from the time, the Northern Song Dynasty intermediate stage beforehand landscape painting belongs to "boundary of the altruism" the pattern category; After the Northern Song Dynasty intermediate stage later passed through the short transition, starts from the Southern Song Dynasty, the landscape painting belongs in the composition aspect "has me the boundary" the pattern category, transits by the former for the latter is a landscape painting big development. Is even more rapid along with the words stylization advancement, Northern Song Dynasty intermediate stage before by "practicalizes" the primarily landscape painting gradual development is the pursue "enjoyable" the landscape painting. The scenery painters have also gone far beyond to the words itself attention to the nature and the drawing itself attention, caused the landscape painting to lose "the beauty gathered one" the possibility, the scenery painters has initiated "to imitate the nature" as well as "the tone is vivid" mentions without knowing where to begin. To the traditional landscape painting composition pattern and the landscape painting composition, the standard shape of a Chinese character relations, the composition and the words relations carry on comb, the goal is in order to summarize the ancient success and failure, taking advantage of ancient opens now, explained besides the words, in the constitution landscape painting other esthetics essential factor, the part which the composition as well as the standard shape of a Chinese character relations cannot neglect. The composition decision subject expression, also can manifest painter's mood, the harmonious standard shape of a Chinese character relations is advantageous to the drawing subject expression, finally and achieved "the beauty gathers one" the philosophy pursue as well as "the tone is vivid" highest esthetics pursue. But stresses unilaterally in and takes the words training, is the Chinese landscape painting development slow most important reason. The scenery painter must note between the composition and the words keeps in balance the relations, these emphasis painting of a scholar "was picturesque and the words signifying view by the book" attenuated the standard shape of a Chinese character relations, "chatted by the self-entertainment" the creation goal caused the drawing and the calligraphy unifies, becomes exceptionally complex. The landscape painting composition and the words relations are depend on each other mutually, complement one another, the standard shape of a Chinese character relations waits for near one step the consummation. In not yet changes intermediary material the modern age, China's scenery painters must keep in balance the relations the clear understanding to landscape painting many esthetic essential factors between, thus causes the writer landscape painting to find the outlet, has the development.Centers on the above argument, I mainly conduct the research through three ways, namely consult literature material, collection visible material as well as scene inspection. In the paper preparatory stage, I mainly carry on arn consult the literature material the work. The paper involves the literature material mainly divided into the history of art material, the ancient times literature, the fine arts theory material as well as the ancient times philosophy literature and so on. These literature are carry on paper writing the theory basis. At the same time, I have carried on the visible material collection work, involves the analysis to the paper in which the fine arts work carries on sends meticulous, not only that, I visit the fine arts display as far as possible, summarizes the modern fine arts work style, the style, accumulated certain material for paper writing.vIn the paper writing stage, I have carried in-the-spot investigation work, found the realistic basis for the paper argument. Through above three ways, I have conducted the quite thorough research to following several aspects: The Chinese tradition landscape painting composition pattern development and the successional variation process, form the advancement strength, Chinese tradition landscape painting development slow primary cause which between two kind of patterns transits and so on. From this, I obtain the conclusion is: The Chinese landscape, painting development needs landscape painting each esthetic essential factor coordinated development, the modern scenery painter must draw ancient's experience lesson, but must open own field of vision, enhances own cultural accomplishment, causes the drawing main body and the drawing object unifies, finally realizes "the tone is vivid" the highest esthetics to be ideal.