Study On Modeling Of Anshun Tunpu Exorcism Mask In Guizhou

With people's unceasingly deep understanding on non-matter cultural heritage, more and more scholars take part in researching on this rich content culture world. Exorcism culture, as the world non-matter culture heritage, the researching on it has been yielded a more substantial result. However, the art fundamental research which takes the exorcism mask as the main object, appears the relative lag. In fact, to rich and impetus the research of exorcism mask modeling characteristic will not only promote the practice of Tunpu entertainer naturally, but also help to strengthen the arts discipline and the construction of Tunpu cultural, thus its ecology sustainable vicissitude can be realized gradually.Anshun Tunpu is one of the areas where Chinese exorcism culture is preserved completely. Through the literature comparison, a massive investigates and studies, Tunpu exorcism culture is known as the highest phase of sorcery culture. It is also like the gene of Chinese civilization. Tunpu exorcism culture has it own classics with a certain rules and regulations, a certain religious doctrine and oral inheritance, it also has the traditional God worship, transits the discipline from the relations, additionally all the religious activities can be carried on in order. The study emphasize on modeling of carving and color, as well as taking comparison on crosswise and the longitudinal. As one of as main carries of Tunpu exorcism culture in Anshun, exorcism mask is different from styles of makeup. The Former wears the mask on the face or the forehead, while the latter is the direct description on person's face. Looking from the different angle, the Anshun Tunpu exorcism mask has the different shapes and the modeling characteristic. First of all , looking at the visual art characteristic, it can be divided into the ominous surface, the friendly surface and the ugly surface, which is according to its shape and modeling characteristic, while not the classification of Tunpu culture in common such as article, military commander, Taoist, animal and so on. Moreover, it is the first time from fine arts principle angle to carry on the analysis of exorcism mask modeling characteristic. As a result, the ominous surface plastic characteristic is intensive contrast, it is influenced by the literary work. The friendly surface plastic characteristic is gentle contrast, then the pictographic surface plastic characteristic is plastic succinct and the extreme exaggeration. We explain the Anshun Tunpu exorcism mask plastic agent, not only from the geography, the culture, the environment, as well as outside the race group psychology demand vision, but also from pattern modeling and craft pattern modeling and so on. In more than 600 years, Anshun Tunpu exorcism mask art has changed from succinct modeling and the thin style face to complicated and magnificent modeling. Some specified roles are getting introduced such as the opium shell, the floret colored, grinning and so on. In addition, through the research of exorcism opera modeling, we have realized the unique charming of exorcism opera and summoned people to take the action to protect this precious artistic inheritance. Finally, from the view of all exorcism mask plastic ecology angle, the paper elaborated the ecology modeling relationship between the exorcism mask fittings, exorcism opera fittings and the exorcism mask, just this relationship makes the artistic effect with striking contrast.