Chinese Characters Singing Cavity Dialectical Relationship Between Thinking Acquai

The main features of Chinese is a rich sound, rhyme and tone., so it is very musical and hence the existence of Chinese singing styles of the "characters" and "cavity" relations. Singing traditional Chinese theory of the so-called "character" and "cavity", "word", not just the written Chinese characters, More singing from the perspective of the meaning of "tones", "Combination", "four to shout", "13 mistakes" ... "cavity" mainly refers to (for 4) Voice (and the music) cavity (transfer). Include pronunciation because of "Yin and yang, and to the" natural "cavity", the pronunciation of Tune (the word allocated more noise), After all sorts of characters dragged cavity. Therefore, "the word" and "cavity" relations problems that have been assiduous Chinese singing ongoing interest in the study of academic subjects, and the formation of "speaking fluent" truisms, but as the singing of the important principles and aesthetic merits of the goods-only standard. In other words, our traditional sense of "character" and "cavity", "speaking fluent," the concert when to turn the "cavity" in the movement to establish "tones" basis. However, in actual singing, the Chinese "word", "cavity", is not a simple "speaking fluent" can cover through the works of different characters of different cavity of dialysis, Chinese Singing often relative emerge : speaking fluent; round cavity correct word; They are not round cavity; correct word is not a round cavity, and so on complicated facts.