| This paper mainly probes into the music score, fingering and performance of "Debussy: Etudes" .The imprecision and recompose of Debussy' s script resulted in enormous differences in provenance. And still, as the composer didn' t mark the fingering points, current executants have a plentiful freedom in performance. In this case, to find out the intention which is the closest to the composer' s own through comparing various provenances and clearing up the most reasonable edition is the purposes of my research.Trying to reappear the composer' s original works, I further my studies at the touch key, footplate and music of Debussy' s Etudes and set forth some relative problems in the course of performance. In addition, with the reference of Gieseking' s special handling, who is the standard performer of Debussy, the paper expounds the problem in a more all-round way. |