This paper attempt to address the stylistic features of Mo Yan's novel, and the text is divided into four sections:Section I, Narrative Discourse "carnival". Mo Yan's novel focuses on the " carnival " characteristics. Mo Yan is the " pioneering writer" attitude into the literary world. From the 1980s, narrativing with a potential accumulation,"Red Sorghum family" sing a song unrestricted sonorous beings for Yu Zhan'ao of "bandits". Since then, he firms his own creative ideas with anti-moral, anti-traditional attitude. This section mainly analyze from two aspects :the comic chracteristics under the framework of tragedy and the dramatic chracteristics of serious and humourous style. Mo Yan's novel narrates " humanity's" tragedy of the historical environment, , However, the heroine show some comic chracteristics with the " carnival " fate. "Carnival" and "dramatic" must have some internal links. This part analyze of the narrative text of the "carnival" from the "dramatic chracteristics " of Mo Yan's novels.Section II is a narrative strategy -- Polyphonic. The segment includes two aspects :a variety of voices, "the people's clamor," and exposed fictitious narrative "please". Mo Yan's novel adopt the ingenious combination of person narratives and perspectives to conceal the true narrative approach. Meanwhile, Mo Yan sees "Narrative" itself as an aesthetic object, and using fiction and imagination carry on the experience of the method of narrative, and turn this experience into a novel to expose fictitious acts. A variety of voice in narrativing and fiction exposing in the text make history and reality, real and absurd mixed,then create an real and illusious "Polyphonic" artistic atmosphere analysis.In section III, analysis the "evil forces" of Mo Yan's narrative structure. One analysis Mo Yan's novel "epic" character. In contemporary lengthy novels, Mo Yan's work is undoubtedly the most "epic nature". Although many commentators say his creation interpretes the "Epic" a deconstruction of traditional novel. This will be achieved a special feature of the epic by Mo Yan's novel .The other Analysis , in the Mo Yan's novel structure of a large number of images of time and space and their own practices. Under the same time a number of events simultaneously. In the "Red Sorghum" ,war with the cross of lyrical."Swelling Buttocks" ,three-dimensional model of the narrative. "41 guns",Luo Xiaotong in the temple tell to the monk, outside world at the start of the same is happening in the short space of time. All this novel narrative structure of Mo Yan's unique charm.The IV explained the narrative rhetoric of "chaos"of Mo Yan's novels. The only departure from conventional means of the so-called confusion rather than genuine confusion. Mo Yan adopted a lot of humor and irony, absurdity and satire in the rhetoric. After the 1990s, China has gradually formed a multi-cultural patterns in the form of interpenetrating that the dominant culture and elite culture, popular culture, and cultural diversity and coexistence, and non-heterogeneous integration. Cut a striking figure in the literary scene in the 1980s as Mo Yan, in the cultural context is also faced with the creative transformation. So after Mo Yan's "Red Sorghum" in the words of novels began an anti-rhetorical devices used in the use of conventional rhetoric to adapt to the times and cultural context. |