Analytic Application Of "Explaining All The Works Of Meng Chuang's Ci Poem" Methodicalness Art

In this thesis, the author identified four most frequently appeared and representative judgement of Ci poetics from the "the Anotation of Meng Chuang Ci Collective Edition ", combinated with the specific entries one by one, carefully analyzed the methodical art. The author believes that Yang's judgement on "Reservations "(liu,留), "Add narrative "(bu,补) and " Not described in detail " (bu lüshu,不缕述)etc are closely related. The three judgemengt together not only precisely reflects the characteristic and charm of the art of the composition, but also corrects the once popular "stream of consciousness" theory. "Ni" and "Ping" are two judgement that corresponds to each other and arises in pairs. They are glossaries in Ci poetics reviews, borrowed from calligraphy theories. The author tried to explore from Calligraphy Theories to further study the calligraphy characteristics and aesthetic features of these judgement. Through the study of the specific works, the author found that "suo", proposed by Tiefu Yang, was a type of "ni". Through the study of the calligraphy theories, the author found that "suo" in Ci poetics had different meanings than the previous comprehension. Yang's"kong ji zhuan shen"(空际转身) theory stress transform and run through of the meanings at the same time. The author extended this theory to the art categories of calligraphy and drama etc to develop discussion. " hou lu"(后路) is yang's general comments on the featured ending of"Meng Chuang Ci". Based on further study, the author concluded that the ending of"Meng Chuang Ci"has a characteristics of advancing further, openning another realm and providing endless meanings.